But there is something that sets Handel apart from his models and followers in mid 18th century opera the way Mozart stands so inexplicably high when heard alongside Paisiello and Cimarosa. These others, including Hasse, Porpora, Leo, write melodies as delectable and vocal music as idiomatic but Handel and Mozart enter the spirit of a character in such a way that beauty and motivation, elegance and empathy come together and give us, the audience and performer, the opportunity of KNOWING the person, glimpsing the heart and mind under the surface melody. This insight, akin to the vision of Freud and Shakespeare, allows Handel to give us Cleopatra and Miriam as if they have been transported. They stand in front of us today to tell us what they have seen and have known. A close friend of conductor Ryan Brown, sharing a passion for things French, they founded the Four Nations Ensemble together in 1986 and have worked closely together since. The arts really do bring us all together. Best for the season to Mar 26, 13:57
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